Cathryn Jenkins
Canadian
Artist Bio: Cathryn Jenkins
Cathryn Jenkins grew up immersed in the world of sculpture, inspired by her mother, the renowned Canadian sculptor Fran Jenkins. Spending countless hours in her mother’s studio, Cathryn developed a deep understanding of various stones and the essential relationship between artist and medium. This formative experience fostered her appreciation for line, form, and the sheer joy of sculptural creation.
Drawing influences from her mother as well as Inuit and American sculptors, Cathryn's work features stylized representational forms that emphasize the pleasure of touch and the strength of line. These elements come together seamlessly in her creations, resulting in timeless works of art that invite interaction.
Cathryn selects her stone from hand-quarried sources in British Columbia, including marble, alabaster, serpentine, and soapstone. Each type of stone has unique qualities that are revealed through her meticulous techniques—using hammer and chisel, diamond blades, rasps, and files. The result is a harmonious blend of flowing shapes, powerful lines, and lustrous surfaces that beckon to be touched. Her sculptures become integral parts of their surroundings, establishing a familiar presence that fosters a connection with viewers.
Among her most sought-after works are her wildlife sculptures, which occupy esteemed positions in both private and corporate collections.
Notably, Cathryn’s use of serpentine stone, sourced from a unique deposit in central British Columbia, allows her to create stunning pieces. This stone, formed from ancient geological processes, features a captivating mix of black, blue-grey, and golden hues, often with splashes of green. This rich palette adds depth and intrigue to her sculptures, enhancing their tactile appeal and artistic resonance.
Cathryn Jenkins grew up immersed in the world of sculpture, inspired by her mother, the renowned Canadian sculptor Fran Jenkins. Spending countless hours in her mother’s studio, Cathryn developed a deep understanding of various stones and the essential relationship between artist and medium. This formative experience fostered her appreciation for line, form, and the sheer joy of sculptural creation.
Drawing influences from her mother as well as Inuit and American sculptors, Cathryn's work features stylized representational forms that emphasize the pleasure of touch and the strength of line. These elements come together seamlessly in her creations, resulting in timeless works of art that invite interaction.
Cathryn selects her stone from hand-quarried sources in British Columbia, including marble, alabaster, serpentine, and soapstone. Each type of stone has unique qualities that are revealed through her meticulous techniques—using hammer and chisel, diamond blades, rasps, and files. The result is a harmonious blend of flowing shapes, powerful lines, and lustrous surfaces that beckon to be touched. Her sculptures become integral parts of their surroundings, establishing a familiar presence that fosters a connection with viewers.
Among her most sought-after works are her wildlife sculptures, which occupy esteemed positions in both private and corporate collections.
Notably, Cathryn’s use of serpentine stone, sourced from a unique deposit in central British Columbia, allows her to create stunning pieces. This stone, formed from ancient geological processes, features a captivating mix of black, blue-grey, and golden hues, often with splashes of green. This rich palette adds depth and intrigue to her sculptures, enhancing their tactile appeal and artistic resonance.
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