Franz Xaver Bergmann

Austrian, 1898 - 1970
Artist Bio: Franz Xavier Bergmann
Franz Xavier Bergmann (July 27, 1861 – January 1, 1936) was a distinguished figure in the world of bronze sculpture, known for his Viennese foundry that specialized in exquisite patinated and cold-painted bronzes. His diverse body of work included everything from Oriental and erotic figures to whimsical animal sculptures, all imbued with humor and charm.
Born into a family of artisans, Bergmann inherited his father's bronze factory in Vienna, established in 1860. Under his stewardship, the foundry flourished, and in 1900, he expanded operations by opening a new facility. While Bergmann was not a sculptor himself, he played a crucial role in overseeing a talented team of artisans who transformed his designs into remarkable works of art.
His creations often bore a distinctive signature, marked by a letter 'B' within an urn-shaped cartouche or the reverse spelling 'Nam Greb,' particularly on his erotic pieces. Bergmann was not just an administrator; he collaborated with prominent sculptors, such as Bruno Zach, who trusted him with casting and editing their works.
Bergmann’s foundry was notable for pioneering the cold-painted bronze technique, which involved layering paint onto cast bronze sculptures. This intricate process, known for its vibrant hues and detailed designs, was typically carried out by skilled female artisans working from home.
His legacy is defined by the mastery of sensuous Art Nouveau designs that frequently concealed provocative elements beneath seemingly innocent exteriors. Many of his pieces featured hidden mechanisms, such as buttons or levers, that revealed concealed figures or compartments when activated.
The Bergmann foundry ceased operations in 1930 due to the economic challenges of the Great Depression. Although it was briefly reopened by his son, Robert Bergmann, it ultimately closed permanently after Robert's death in 1954. The remaining stock and molds were later acquired by Karl Fuhrmann & Co., preserving a significant chapter of Bergmann's artistic legacy.
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