Offered by: H. Gallery
Concordiastraat 68 - 127 Utrecht 3551EM , Netherlands Call Seller 0031302270051

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Porcelain Pitcher and Stoneware Vase by Bodil Manz and Trine Heedaard, Denmark

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  • Description
    This porcelain pitcher and oval-shaped stoneware vase by the world-renowned Danish ceramist Bodil Manz are perfect representations of how Manz has perfected her ceramic art over 40 years.

    While there is an elemental Scandinavian simplicity to these ceramics, they are unique not only in their names. The six-sided white pitcher is decorated with black glaze and has a characteristic shape, one of Manz’s signature forms. The same can be said about the oval vase with a bluish-grey glaze that is decorated with an incised, geometric relief. The vase has a raw, yet carefully created texture which is the result of the artist’s experimentation with new challenges of expression and technique including working with such things as pictures of plaster and sand-cast porcelain.

    According to Oxford Ceramics, it is a bit of a cliché to say that an artist has forged their own language, but in Bodil Manz’s case, this is certainly true. Manz’s pots are so receptive to shadow and light that they carry their own sense of movement, a kind of transformative inner life. Both works are one of a kind and are signed by Bodil Manz. They were created in the artist’s own studio in Horve that she opened in 1967.

    Condition:
    In great vintage condition. Wear consistent with age and use.

    Dimensions:
    Vase:
    5.03 in W x 6.1 in D x 5.59 in H
    12.8 cm W x 15.5 cm D x 14.2 cm H

    Pitcher:
    3.54 in W x 2.83 in D x 3.74 in H
    9 cm W x 7.2 cm D x 9.5 cm H

    About the designer:
    Bodil Manz (Danish, b. 1943) is a ceramicist known for her predominant use of ultra-thin, translucent eggshell porcelain to create distinctive cylindrical forms, anchored by bold, geometric abstractions in a style evocative of Russian Suprematism.

    Manz was born in Copenhagen in 1943. After graduating from the School of Arts and Craft, Copenhagen in 1965, she went on to study at the Escuela de Disneño y Artesanias in Mexico and Berkeley University in California. She established a studio with her late husband, ceramist Richard Manz, in 1967 in Hove, where she continues to live and work today.

    Much in the way Morandi approached a still life or Albers the square, her engagement with the cylinder form ad infinitum is studied in the master’s ability to extract sublime nuance from the seemingly quotidien. In her own words – “Focusing and concentrating on a single object such as a sphere, a square, a cylinder, a cup, fundamentally something quite ordinary, the stuff of everyday life, [seems] indeed almost banal. But during the process, we discovered fresh aspects, and suddenly ‘the ordinary’ became a new experience.

    Manz has had solo exhibitions in Copenhagen, Brussels, Amsterdam, London, and New York and in 2008 was honored with a major retrospective exhibition at the Kunstindustrimuseet in Copenhagen. Her work is represented in public collections worldwide including the Los Angeles County Museum of Art, the Musée de Sèvres, France and the Museum of Modern Ceramic Art, Gifu, Japan. In 2007 she was awarded the Grand Prize at the 4th World Ceramic Biennale, Korea. ~H.

    Shipping:
    This pitcher and vase will be packed with the greatest care and attention to make sure you will receive the work in gallery condition. Complimentary shipping within the Netherlands.
  • More Information
    Documentation: Documented elsewhere (similar item)
    Origin: Denmark
    Period: 1980-1999
    Materials: Porcelain, Stoneware
    Condition: Good. Wear consistent with age and use.
    Styles / Movements: Modern, Art Pottery, Scandinavian Modern
    Dealer Reference #: 20200473
    Incollect Reference #: 433825
  • Dimensions
    W. 5.04 in; H. 5.59 in; D. 6.1 in;
    W. 12.8 cm; H. 14.2 cm; D. 15.5 cm;
Message from Seller:

Located in Utrecht, The Netherlands, H. Gallery specializes in modern and contemporary design with a strong focus on Brazil and Scandinavia. The gallery strives to preserve and promote especially Brazil's rich design heritage and curates a select group of contemporary artists. Meticulous research, ie getting in contact with the original designers, producers, their heirs, and retrieving and indexing old catalogues and magazines is at the heart of its activities. All works presented excel in great

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