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Korean Ceramic White Porcelain Water Dropper Joseon Dynasty

Offered by: Tishu

Description
A small Korean water dropper in rectangular form with beveled edges, circa early 19th century of the Joseon Dynasty. The milky white porcelain piece was molded in a sensible form with an elongated curvy sprout extended on one end and the refill hole in the center of the body. The surface features an underglaze blue painting of a cluster of bamboo branches with leaves. The minimalistic decoration was done with just a few effective strokes but managed to convey the spirit of the plant. The base was covered in the white glaze except the foot ring. As a scholar item found in the study, the austere piece embodies the humbleness of the Confucianism ideology of the contemporary Joseon society.
Water dropper like this is an important component of scholar's desk items. It was used to add drops of water to the ink stone for grinding the ink before any handwriting could be performed. In Joseon dynasty, Confucianism dominates the ideology of the society and determined the morals and values of the men. Scholarly pursuits were greatly encouraged. This trend was reflected in the ceramic art as well. Humble and earthy ware with rustic yet refined decoration was much preferred.
For another white porcelain water dropper with bamboo motif, see item 999.41.9 in the collection of Royal Ontario Museum.

More Information

Origin:	South Korea
Period:	19th Century
Materials:	ceramic glazed
Condition:	Good. Expected wear and patina from use. Faint ink stain around sprout and refill hole. Scattered discoloration. Minor kiln grits on the feet. All as shown.
Creation Date:	19th century
Styles / Movements:	Modern, Art Pottery, Asian
Patterns:	Asian/Oriental, Florals/Botanical, Handmade
Incollect Reference #:	730157

Dimensions

W.	3 in;	H.	1 in;	D.	2 in;
W.	7.62 cm;	H.	2.54 cm;	D.	5.08 cm;

Message from Seller:

Our collection ranges from Neolithic Art to 20th century collectible art and design. It spans 5000 thousand years of history and crosses many civilizations and cultures. Our aesthetic strongholds are Mid-century studio design, Japanese and Korean art, Asian Textile Art and Contemporary Aboriginal Art. The diversity is united behind our singular vision to seek for timeless beauty and driven purely by our passion