Listings / Fine Art / Photographs / Abstract
Chrysler Building Blue Zoom, New York Skyline, Abstract Photography
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Description
With an upward zoom and a slow exposure, Photographer Mitchell Funk reimagines one of the world's most iconic landmarks. The photograph is a lyrical evocation of a normally cold street scene featuring a dual light source. From the late 1960s, Funk redefined color photography. In 1978, this blur zoom was a radical concept at the time since Color Photography was not considered fine art.
To Funk, it was all about experimenting with innovative color and design and skillfully organizing pictorial space.
This archival color photograph by fine art photographer Mitchell Funk is signed, dated and numbered 2/15, lower right recto. Other sizes are available and the fine art photograph is unframed and printed later. Printed on Hahnemühle Fine Art paper
Mitchell Funk is a pioneer of " Color Photography" In 1970 he participated in one the first " Color Photography" shows at a major museum. Brooklyn Museum, show "Images en Couleur" . 1971 Included he was included in the visionary book "Frontiers of Photography" Time Life. Color ! American Photography Transformed. Amon Carter Museum. He has had more than 50 Photography Magazine Covers and has had covers on Newsweek, Fortune, New York Magazine and Life Magazine among others -
More Information
Documentation: Signed Origin: United States, New York Period: 1950-1979 Materials: inkjet archival print Condition: Good. Excellent Creation Date: 1978 Styles / Movements: Color Field, Abstract Expressionism, Contemporary Incollect Reference #: 759554 -
Dimensions
W. 29 in; H. 43 in; W. 73.66 cm; H. 109.22 cm;
Message from Seller:
You'll find an eclectic group of art works at Robert Funk Fine Art. 45 years of experience has shaped Director Robert Funk's multi-perspective approach to presenting art. As an undergrad in painting, he studied with great teachers such as first-generation abstract expressionist Robert Richenburg and hyper-realist painter Janet Fish. In Graduate School he worked with famed critic E.C. Goossen and went on to work as a Photographer, New York Advertising Art Director, and Art Collector.