Listings / Fine Art / Photographs / Abstract
Chrysler Building Spire Zoom Color, Abstract Photography Pastel Color
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Description
The Chrysler Building Spire is zoomed by Photographer Mitchell Funk. The concept is to take one of the most photographed icons in the world and present it visually different but still recognizable. To get this line of sight, Funk positioned himself on the roof of an adjacent skyscraper so that the viewer is at eye level with the subject. There are two light sources, one from within and one from without. The soft pastel colors of the sunset are echoed in the spire Art Deco widows.
The overall result is a "moving" image that is a combination of representation and abstraction.
Signed, dated, numbered lower right, recto 3/15, unframed, printed later, other sizes available. Printed on Hahnemuhle paper byrta
The uploaded video on 1stDibs is coming up a bit off color. Refer to the still images for more accurate color
In 1970 Mitchell Funk, participated in one the first " Color Photography" shows at a major museum. Brooklyn Museum, show "Images en Couleur". 1971 Included he was included in the visionary book "Frontiers of Photography" Time Life. Color ! American Photography Transformed. Amon Carter Museum. He has had more than 50 Photography Magazine Covers and has had covers on Newsweek and Life Magazine among
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More Information
Documentation: Signed Origin: United States, New York Period: 1980-1999 Materials: Inkjet Archival Print Condition: Good. Creation Date: 1999 Styles / Movements: Abstract Expressionism, Color, Contemporary Incollect Reference #: 757496 -
Dimensions
W. 29 in; H. 43 in; W. 73.66 cm; H. 109.22 cm;
Message from Seller:
You'll find an eclectic group of art works at Robert Funk Fine Art. 45 years of experience has shaped Director Robert Funk's multi-perspective approach to presenting art. As an undergrad in painting, he studied with great teachers such as first-generation abstract expressionist Robert Richenburg and hyper-realist painter Janet Fish. In Graduate School he worked with famed critic E.C. Goossen and went on to work as a Photographer, New York Advertising Art Director, and Art Collector.