Listings / Fine Art / Photographs / Abstract
New York City Icon Chrysler Building in Fog
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Description
New York City Icon Chrysler Building in Fog 2007, Signed and dated numbered on recto , 3/15, other sizes available, printed later on Hahnemuhle by paper—unframed, Stunning New York City visual. Mitchell Funk shoots icons in an original way.
This image is signed, dated and numbered 3/15 lower right recto. Other sizes are available. The work is unframed and printed later. Printed on Hahnemühle Fine Art paper Can a street photograph be a grab shot and precisely designed at the same time? Mitchell Funk says yes. He brings finely honed photography skills such as composition, intense lighting and design to found subject matter. Mitchell Funk brings the compositional precision of studio photography to street photography. Unlike most street photographers, Funk is an abstractionist while being a documentarian. For the last 50 years, Mitchell Funk has endlessly explored the relationship of light, color and shape. These interactions have become the central pursuit of the artist. Mitchell Funk is a pioneer of "Color Photography" In 1970 he participated in one the first "Color Photography" shows at a major museum. Brooklyn Museum, show "Images en Couleur". 1971 Included he was included in the visionary book "Frontiers of Photography" Time Life. Color! American Photography Transformed. Amon Carter Museum. He has had more than 50 Photography Magazine Covers and has had covers on Newsweek, Fortune, New York Magazine and Life Magazine among others. -
More Information
Documentation: Signed Origin: United States, New York Period: 2000-2021 Materials: Inkjet Archival Print Condition: Good. Excellent Creation Date: 2007 Styles / Movements: Post Impressionism Dealer Reference #: er Incollect Reference #: 758415 -
Dimensions
W. 29 in; H. 43 in; W. 73.66 cm; H. 109.22 cm;
Message from Seller:
You'll find an eclectic group of art works at Robert Funk Fine Art. 45 years of experience has shaped Director Robert Funk's multi-perspective approach to presenting art. As an undergrad in painting, he studied with great teachers such as first-generation abstract expressionist Robert Richenburg and hyper-realist painter Janet Fish. In Graduate School he worked with famed critic E.C. Goossen and went on to work as a Photographer, New York Advertising Art Director, and Art Collector.