- FINE ART
-
FURNITURE + LIGHTING
Shop By Category
Shop By Artist
- NEW + CUSTOM
- DECORATIVE ARTS
-
JEWELRY
Shop By Category
Shop By Artist
- INTERIORS
- MAGAZINE
Listings / Fine Art / Prints / Still Life
Showrooms
[Tulips] by Basilius BESLER
$ 6,146
-
Tear Sheet Print
- Save
- BoardAdd to Board
-
-
Description
BESLER, Basilius
[Tulips]
Stock Code 110422
Nuremberg and Eichstatt. 1640
Current price$6,146.00
Plate size: 50cm x 44 cm.
Magnificent plates from Hortus Eystettensis, one of the earliest and most famous works in the field. The Hortus Eystettensis is a pictorial record of the flowers grown in the greatest German garden of its time, that of Prince Bishop of Eichstatt, Johann Conrad von Gemmingen. The garden was begun by Joachim Camerarius in 1596 and, after his death in 1598, completed by Basil Besler, a pharmacist from Nuremberg. A visitor, Philipp Hainhofer, in 1611 marvelled at the eight gardens, each containing 'flowers from a different country; they varied in the beds and flowers, especially in the beautiful roses, lilies, tulips.' The Hortus records this variety and beauty. The book is exceptional in every sense; in its variety and range of flowers, in its size, in its fine quality of engraving. It is also one of the earliest records of flowers from a specific, documented garden.
Besler was asked to complete the work by Gemmingen in 1606; the huge nature of the task was clear to Besler and he enlisted the help of his younger brother Hieronymus and Ludwig Jungermann, a nephew of Camerarius. Printing the Hortus may have begun as early as 1607. Drawings were made in situ and from specimens sent by the Bishop to Nuremberg; the Bishop reported to Hainhofer that he had boxes of fresh flowers sent every week to Besler at Nuremberg for sketching. A team of at least 10 engravers were employed to translate the drawings to copperplates.
The gardens, along with most of the town of Eichstatt, were destroyed by the invading Swedish troops under Herzog Bernhard von Weimar in 1633-4, although they were partially restored by later bishops. Many of the original drawings survive in the University Library, Erlangen.
Copper engraved plate with hand-colour. Framed and glazed, overall size: 46.2cm by 55.2cm by 5cm.
Nissen 158; Pritzel 745; Hunt 430; Blunt, pp 95-97; Stafleu & Cowan 497. -
More Information
Documentation: Documented elsewhere (similar item) Period: Pre 18th Century Condition: Good. Styles / Movements: Other Dealer Reference #: 110422 Incollect Reference #: 703851 -
Dimensions
W. 17.32 in; H. 19.69 in; W. 44 cm; H. 50 cm;
Message from Seller:
Shapero Gallery Located in the heart of Mayfair, London, Shapero Gallery specializes in prints and original works on paper, ranging from antique prints to modern pochoir plates and photography. For inquiries, contact us at +44.207.493.0876 or gallery@shapero.com.
Sign In To View Price
close
You must Sign In to your account to view the price. If you don’t have an account, please Create an Account below.
More Listings from Shapero Gallery View all 631 listings
No Listings to show.
- Laws of Cricket by Charles Crombie
- The history of the Colleges of Winchester, Eton and Westminster
- Le Somnambule by Joan MIRO
- Plate 1, from: Le Cocu Magnifique by PABLO PICASSO
- Le Beluga by Joan MIRO
- Pour Eugenia. by PABLO PICASSO
- Pantagruel by Joan MIRO
- Architectura Navalis Mercatoria By Frederik Henrik AF Chapman
- London Types By William Nicholson
- Cartella A by MICHELANGELO PISTOLETTO
- Le Pitre Rose by Joan MIRO
- Plate 3, from: Le Cocu Magnifique by PABLO PICASSO
- Plan de Paris. by LOUIS BRETEZ MICHEL-ETIENNE TURGOT
- Le Livre de la Marquise. by KONSTANTIN SOMOV