-
FINE ART
-
FURNITURE & LIGHTING
-
NEW + CUSTOM
- Featured Bespoke Articles
- Hélène de Saint Lager’s Designs…
- Amorph-Where wood comes to life
- Markus Haase: Translating Artistic...
- Trent Jansen: Design Meets Heritage
- Hoon Moreau: Sculptural Poetry
- Kam Tin: The Art of Modern Baroque Furniture
- Gregory Nangle and Outcast Studios
- Roman Plyus Designs Furniture That’s…
- Ervan Boulloud: Daring Ingenuity
- Julian Mayor: Mirror Image
-
DECORATIVE ARTS
- JEWELRY
-
INTERIORS
- Featured Projects
- East Shore, Seattle, Washington by Kylee Shintaffer Design
- Apartment in Claudio Coello, Madrid by L.A. Studio Interiorismo
- The Apthorp by 2Michaels
- Houston Mid-Century by Jamie Bush + Co.
- Sag Harbor by David Scott
- Park Avenue Aerie by William McIntosh Design
- Sculptural Modern by Kendell Wilkinson Design
- Noho Loft by Frampton Co
- Greenwich, CT by Mark Cunningham Inc
- West End Avenue by Mendelson Group
- Interior Design Books You Need to Know
- Distinctly American: Houses and Interiors by Hendricks Churchill and A Mood, A Thought, A Feeling: Interiors by Young Huh
- Robert Stilin: New Work, The Refined Home: Sheldon Harte and Inside Palm Springs
- Torrey: Private Spaces: Great American Design and Marshall Watson’s Defining Elegance
- Ashe Leandro: Architecture + Interiors, David Kleinberg: Interiors, and The Living Room from The Design Leadership Network
- Cullman & Kravis: Interiors, Nicole Hollis: Artistry of Home, and Michael S. Smith, Classic by Design
- New books by Alyssa Kapito, Rees Roberts + Partners, Gil Schafer, and Bunny Williams: Life in the Garden
- Peter Pennoyer Architects: City | Country and Jed Johnson: Opulent Restraint
- The Elegant Life by Alex Papachristidis and More is More Is More: Today’s Maximalist Interiors by Carl Dellatore
- Extraordinary Interiors by Suzanne Tucker and Destinations by Jean-Louis Deniot
- Shelf Love: The Year's Top New Design Books
-
MAGAZINE
- Featured Articles
- Northern Lights: Lighting the Scandinavian Way
- Milo Baughman: The Father of California Modern Design
- A Chandelier of Rare Provenance
- The Evergreen Allure of Gustavian Style
- Every Picture Tells a Story: Fine Art Photography
- Vive La France: Mid-Century French Design
- The Timeless Elegance of Barovier & Toso
- Paavo Tynell: The Art of Radical Simplicity
- The Magic of Mid-Century American Design
- Max Ingrand: The Power of Light and Control
- The Maverick Genius of Philip & Kelvin LaVerne
- 10 Pioneers of Modern Scandinavian Design
- The Untamed Genius of Paul Evans
- Pablo Picasso’s Enduring Legacy
- Karl Springer: Maximalist Minimalism
- See all Articles
Offered by:
Arader Galleries
1016 Madison Avenue
New York City, NY 10075 , United States
Call Seller
215.735.8811
Showrooms
VERY FINE AND RARE CHIPPENDALE CARVED AND FIGURED MAHOGANY DESK-AND-BOOKCASE
Price Upon Request
-
Tear Sheet Print
- BoardAdd to Board
-
-
Description
VERY FINE AND RARE CHIPPENDALE CARVED AND FIGURED MAHOGANY DESK-AND-BOOKCASE,
ATTRIBUTED TO ICHABOD COLE (1748-1841), WARREN, RHODE ISLAND,
CIRCA 1790
Height 93 ½ in. by Width 40 ¼ in. by Depth 22 in.
This desk-and-bookcase is attributed to Ichabod Cole (1748-1841), the Warren, Rhode Island shop joiner. It is very closely related to a desk-and-bookcase in a private collection with the inscription “Maid by / Ichabod / Cole / 1790”.[1] That desk stands as the only signed and dated piece by Cole that survives. Another nearly identical desk-and bookcase in a private collection is attributed to Ichabod Cole.[2] The three desks are illustrated and discussed by Patricia E. Kane in her article “Ichabod Cole: A Recently Discovered Rhode Island Furniture Maker” published in The Magazine Antiques in May 2007.[3]
All three desk-and-bookcases are of the same form and made of mahogany with similar overall proportions, a scrolled pediment with applied plaques, bookcase doors (glazed here and on the one in a private collection and block-and-shell carved on the signed desk), a slant-front opening to a block-and-shell-carved desk interior with pigeonhole drawer fronts, four graduated long drawers, and ogee bracket feet with small cusps. Like the signed desk, this example and the one in a private collection display several hallmarks of Cole’s work including the unusual floral motif on the prospect door and the unique marking system for the identification of drawer components. During construction, Cole marked his drawers from the bottom drawer up, rather than the more commonly found top drawer down. The fronts, sides, and backs are marked with a series of dotted vertical lines resembling the letter “i”. He marked the exterior drawer sides on the top edge with a “V” shaped incision pointing outward to indicate which side was the exterior. He added vertical lines next to the “V” to indicate placement within the series of drawers.
The desks also display the following construction characteristics identified by Kane: small interior drawers with small blocks glued to their exterior backs to act as drawer stops; pigeonhole drawers with bottom boards that are let into a V shaped groove in the drawer front; drawers sides (except those on the valance drawers) that are one-quarter to three eighths of an inch lower than the drawer fronts; bookcase section backboards comprised of lapped vertical boards nailed to rabbets in the bookcase sides and top; two piece white pine bottom boards; feet reinforced with white pine vertical corner blocks with abutting horizontal blocks; and the use of solid mahogany for the tops of the desks, behind the retaining molding for the bookcase.[4] Though influenced by Newport design, the desk-and-bookcases display features that do not follow Newport practice. These include the cornice lacking a deep cove and formed from two ogee-curved moldings, short central plinth blocks with two bold horizontal moldings on the bonnet, pigeonhole drawers with a compact round central arch flanked by sharply defined cusps, and a base molding with a fillet below the cyma curve. The ogee bracket feet are distinctive with a short ogee curve abutting the base molding, an elongated ogee descending vertically to the floor and a fillet extending under two-thirds of the foot.[5] Ichabod Cole was born in Warren, Rhode Island on December 17, 1748 to Isaac Cole (b. 1726) and his wife, Sarah (b. 1728).[6] He likely began his apprenticeship in about 1760 in an unidentified shop perhaps in Newport.[7] On December 19, 1773, he married Roby Cole (d. 1825), the daughter of Benjamin Cole (d. 1794). In 1774, he bought land in Warren and was identified as a shop joiner. He served as an ensign in the American Revolution in 1777 and was later granted a pension. Beginning in 1789, he served on the town council of Warren and represented the town at the General Assembly in the 1790s. Predeceased by his wife in 1825, Ichabod died in 1841 and his will was proved on February 20, 1841. He and his wife are buried in the Kickemuit Cemetery in Warren.
For additional pieces attributed to Ichabod Cole, see two slant-front desks, a chest-on-chest and a dining table included in the Rhode Island Furniture Archive.[8]
[1] See Patricia E. Kane, et al, Art and Industry in Early America: Rhode Island Furniture, 1650-1830 (New Haven, CT: Yale University Art Gallery, 2016): no. 79, p. 369
[2] See Rhode Island Furniture Archive, RIF 1876.
[3] See Patricia E. Kane, “Ichabod Cole: A Recently Discovered Rhode Island Furniture Maker,” The Magazine Antiques 172, no. 5 (May 2007): 116-17, fig. 7, 7a, 7b, and 7c.
[4] Ibid, p. 112.
[5] Ibid, p. 116.
[6] Ibid, p. 114. See also Patricia E. Kane, biography of Ichabod Cole, Rhode Island Furniture Archive at the Yale University Art Gallery
[7] Kane notes that circumstantial evidence suggests that Cole may have trained in Newport perhaps with the Lyndon family of joiners.
[8] Rhode Island Furniture Archive, RIF4068, RIF4308, RIF6050, and RIF5330. -
More Information
Period: Pre 18th Century Condition: Good. Styles / Movements: Traditional Incollect Reference #: 577239
Message from Seller:
Founded in 1971, Arader Galleries is the leading dealer of rare maps, prints, books, and watercolors from the 16th to 19th centuries. Visit us at 1016 Madison Avenue, NYC, or contact us at 215.735.8811 | loricohen@aradergalleries.com |
Sign In To View Price
close
You must Sign In to your account to view the price. If you don’t have an account, please Create an Account below.
More Listings from Arader Galleries View all 1341 listings
No Listings to show.
- BASILIUS BESLER (1561-1629), SICILIANA
- CRUSTACES ETANGERS GONOPLEX MARACOANI...
- DRONIA OEGAGROPILUS. MEDITERRANAE
- RAND MCNALLY, WYOMING RAILROADS…
- RAND MCNALLY & CO., KANSAS
- JOHN HALSALL, SECTIONAL MAP OF THE TERRITORY OF KANSAS...
- ALVIN JOHNSON & CO., JOHNSON'S KANSAS AND NEBRASKA
- GUIDE THROUGH OHIO, MICHIGAN, INDIANA, ILLINOIS, MISSOURI, WISCONSIN
- HOLT'S NEW MAP OF WYOMING. COMPILED BY PERMISSION FROM OFFICIAL RECORDS
- ALVIN JEWETT JOHNSON (AMERICAN, 1827 - 1884), JOHNSON’S MISSOURI AND KANSAS
- MAP OF KANSAS, NEBRASKA, COLORADO, SHOWING ALSO THE SOUTHERN PORTIONS OF DACOTAH
- RUFUS BLANCHARD (1821-1904), SECTIONAL MAP OF KANSAS
- CALUPPA INCONSPECTRA...
- A PLAN OF THE PROGRESS OF THE ROYAL ARMY FROM THEIR LANDING