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Korean Reticulated Celadon Brush Holder Joseon Dynasty

Offered by: Tishu

Description
A Korean porcelain brush holder in cylinder log form from the end of Joseon dynasty circa late 19th century. Cherished by the scholars, brush pot like this would grace the desk in the man's study and used to hold the collection of the brush pens. Covered in a milky white glaze, the opposite facade of this brushpot is decorated with two large cutout symbols of Buddhism Swastika framed within a roundel. The reticulated motif was an ancient emblem found in many cultures. In Asia, it was long associated with Buddha and his noble path. The motif is further alternated with a latticed leaf design with pomegranate with seeds. The fruit is the symbol of abundance in Korean culture/ The rendering of the incised design is lovely in their details, striking a harmonious composition. Around the mouth and the base, a thinner rope-design ring was placed above the wider band. The short foot ring was unglazed, showing the red fired clay with some kiln grits. It comes with a later tomobako storage box.
From a Japanese collection.
For another brush holder decorated with reticulated swastika, see lot 372 of Bonham's sale 10 May 2022, London, Knightsbridge.
For a swastika-decorated Dambaetdae (pipe rest), see V&A collection, C.343 dash 1912.

More Information

Origin:	South Korea
Period:	19th Century
Materials:	ceramic
Condition:	Good. Fine antique condition with age-related patina such as glaze wear on the age, a few crackle lines on the bottom of the pot as well as the base. Some dark residues accumulation along the cut out as shown.
Creation Date:	late 19th century
Styles / Movements:	Asian, Traditional
Patterns:	Asian/Oriental
Incollect Reference #:	765374

Dimensions

H.	4.95 in;	Diam.	4.4 in;
H.	12.57 cm;	Diam.	11.18 cm;

Message from Seller:

Our collection ranges from Neolithic Art to 20th century collectible art and design. It spans 5000 thousand years of history and crosses many civilizations and cultures. Our aesthetic strongholds are Mid-century studio design, Japanese and Korean art, Asian Textile Art and Contemporary Aboriginal Art. The diversity is united behind our singular vision to seek for timeless beauty and driven purely by our passion